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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Filmpool 20th anniversary cake, 1997. | Photo: Dianne’s personal archive.</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Filmpool members outside of Broad St. location. | Source: Filmpool archive</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Members splicing film. | Source: the Filmpool archives</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Cast &amp; crew of Daisy (Ouellette). | Photo: Dianne’s personal archive</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>BTS on Srassha; Dianne applies makeup to Danny Scavuzzo. Jason Britski in background. | Photo: Dianne’s personal archive.</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Main title from 2004 Splice TV "Super8" episode. | Source: Splice TV</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Leslea Mair hosting Splice TV from Scarth Street pedway. | Source: Splice TV</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Dianne in her coveted 20th Anniversary Filmpool bunny hug. Only two were made. | Photo: Dianne Ouellette</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Cutting the Filmpool 20th anniversary cake. (Editor’s note: please write to Splice if you are or know the photographer)</image:title>
      <image:caption />
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Filmpool 20th anniversary party. (Editor’s note: please write to Splice if you are or know the photographer)</image:title>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Production polaroids from Ouellette’s short film, Daisy | Photo: Dianne Ouellette</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Dianne accepting Daisy’s win for Best of Saskatchewan at the Yorkton Film Festival 2000. | Source: Dianne’s personal archive</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Film industry producers and workers protesting at Saskatchewan legislature. | Source: Dianne Ouellette</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Dianne Ouellette and actor Kim Coates protesting at Saskatchewan legislature. | Source: Dianne Ouellette</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>A “no stars” review of the Filmpool’s program at the Edmonton Fringe Festival. A petty badge of honour. | Source: Dianne Ouelette</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>L-R: Janine Windolph, Dianne Ouelette, and Trudy Stewart at the Yorkton Film Festival 2016 | Source: Dianne Ouellette</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Filmpool production coordinator Ron Jacobs, circa ‘99. Jacobs returned to the Filmpool as production coordinator from 2020-2022. | Source: Dianne Ouellette’s personal archives</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Filmpool 35th anniversary cake. | Source: Dianne Ouellette’s personal archive.</image:caption>
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    <lastmod>2022-08-01</lastmod>
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      <image:title>Splice Magazine - Spring 2022 Issue - “This is just a step towards getting competitive again” - Make it stand out</image:title>
      <image:caption>The Saskatchewan Production Studios, Spring 2022. Photo: Jeremy Davis</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - “This is just a step towards getting competitive again” - Make it stand out</image:title>
      <image:caption>Filmmaker Layton Burton has cautious optimism about the new investment. Photo Source: Layton Burton</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - “This is just a step towards getting competitive again” - Make it stand out</image:title>
      <image:caption>Physical infrastructure like the soundstage is just as important as workers and service providers. | Saskatchewan Production Studios, Spring 2022. Photo: Jeremy Davis</image:caption>
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    <lastmod>2022-06-27</lastmod>
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      <image:title>Splice Magazine - Spring 2022 Issue - Zarqa Nawaz: "Just because we’re not Toronto doesn’t mean that we’re not diverse” - Make it stand out</image:title>
      <image:caption>Star and showrunner Zarqa Nawaz and director Candy Fox on set. Nawaz was looking for an Indigenous director, and Fox’s name kept coming up. | Photo: Peter Scoular, CBC Gem</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Zarqa Nawaz: "Just because we’re not Toronto doesn’t mean that we’re not diverse” - Make it stand out</image:title>
      <image:caption>Zarqa (Zarqa Nawaz) at her Imam’s office (Rizwan Manji) for couple’s counselling | Peter Scoular, CBC Gem</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Zarqa Nawaz: "Just because we’re not Toronto doesn’t mean that we’re not diverse” - Make it stand out</image:title>
      <image:caption>Zarqa (Zarqa Nawaz) and Brian (Rob van Meenen) with Zarqa’s parents (Omar Alex Khan and Nimet Kanji) | Photo: Peter Scoular, CBC Gem</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Zarqa Nawaz: "Just because we’re not Toronto doesn’t mean that we’re not diverse” - Make it stand out</image:title>
      <image:caption>Zarqa (played by Zarqa Nawaz) | Photo: Peter Scoular, CBC Gem</image:caption>
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    <lastmod>2022-06-10</lastmod>
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      <image:title>Splice Magazine - Spring 2022 Issue - Colour Reversal Lab Retreat: an experience of collective creativity in Treaty 4 - Make it stand out</image:title>
      <image:caption>Chrystel Oloukoï and Charlene Moore | Photo: Esperanza Sanchez Espitia</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Colour Reversal Lab Retreat: an experience of collective creativity in Treaty 4 - Make it stand out</image:title>
      <image:caption>Hand developed 35mm film | Photo: Esperanza Sanchez Espitia</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Colour Reversal Lab Retreat: an experience of collective creativity in Treaty 4 - Make it stand out</image:title>
      <image:caption>Splicing tape | Photo: Esperanza Sanchez Espitia</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Colour Reversal Lab Retreat: an experience of collective creativity in Treaty 4 - Make it stand out</image:title>
      <image:caption>Kathleen Edwards | Photo: Esperanza Sanchez Espitia</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Colour Reversal Lab Retreat: an experience of collective creativity in Treaty 4 - Make it stand out</image:title>
      <image:caption>Lebret | Photo: Esperanza Sanchez Espitia</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Colour Reversal Lab Retreat: an experience of collective creativity in Treaty 4 - Make it stand out</image:title>
      <image:caption>Lindsay McIntyre | Photo: Esperanza Sanchez Espitia</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Winter 2022 Issue - Ninth Annual Saskatchewan Independent Film Awards: A Summary - Make it stand out</image:title>
      <image:caption>Six winners receive recognition at the 9th Annual Saskatchewan Independent Film Awards on Nov. 26, 2022.   Pictured from left to right: Dianne Ouellette, Mark Wihak, Elaine Striemer, Aaron Sinclair, Curtis MacGillivray and Graydon Eskowich.</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Ninth Annual Saskatchewan Independent Film Awards: A Summary - Make it stand out</image:title>
      <image:caption>Film still from Intrusion by Graydon Eskowich, which won Best Student Film.</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Ninth Annual Saskatchewan Independent Film Awards: A Summary - Make it stand out</image:title>
      <image:caption>A large red bear from Harrison, winner of this year’s Best Music Video with music by Ben Sefton and directed by Aaron Sinclair.</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Ninth Annual Saskatchewan Independent Film Awards: A Summary - Make it stand out</image:title>
      <image:caption>Kaitlyn Semple stars as Lucy Oser in Mark Wihak’s series Resting Potential, which won Best Longform Film.</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Ninth Annual Saskatchewan Independent Film Awards: A Summary - Make it stand out</image:title>
      <image:caption>Film still from Dianne Ouellette’s Lil Bufloo Aen Loo Kishkishiw (Buffalo Wolf Memory) which won the award for Best Short Film.</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Ninth Annual Saskatchewan Independent Film Awards: A Summary - Make it stand out</image:title>
      <image:caption>Guests mingle in the lobby before the awards ceremony.</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Carcass: The Posthistoric Queer - Make it stand out</image:title>
      <image:caption>Credit: Daniel Paquet</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Carcass: The Posthistoric Queer - Make it stand out</image:title>
      <image:caption>Credit: Daniel Paquet</image:caption>
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      <image:caption>Credit: Daniel Paquet</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Carcass: The Posthistoric Queer - Make it stand out</image:title>
      <image:caption>Credit: Daniel Paquet</image:caption>
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      <image:caption>Brian Stockton, James Whittingham, and Tobi Lampard, Fargo 2016</image:caption>
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      <image:caption>“Do I look tired?” Dianne Ouellette and Brian Stockton in the vehicle on their way to Fargo, North Dakota.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Fargo Film Festival 2023 - A Filmmaker's Journey, er, Journal - Make it stand out</image:title>
      <image:caption>Image courtesy of Brian Stockton.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Fargo Film Festival 2023 - A Filmmaker's Journey, er, Journal - Make it stand out</image:title>
      <image:caption>Image courtesy of Brian Stockton.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Fargo Film Festival 2023 - A Filmmaker's Journey, er, Journal - Make it stand out</image:title>
      <image:caption>“Snow as high as me!”</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Fargo Film Festival 2023 - A Filmmaker's Journey, er, Journal - Make it stand out</image:title>
      <image:caption>Fargo Film Festival volunteer Craig Roath and director Dianne Ouellette. Photo courtesy of Brian Stockton.</image:caption>
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      <image:caption>Back: Dianne Ouellette Front, L-R: Brian Stockton, Tobi Lampard, and Margie Bailly, a retired executive director at Fargo Theatre Management Corporation.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Fargo Film Festival 2023 - A Filmmaker's Journey, er, Journal - Make it stand out</image:title>
      <image:caption>Dianne and Brian on either side of Tobi, who is not sharing her dessert.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Interviewing Experimental Filmmaker Kent Tate - Make it stand out</image:title>
      <image:caption>Athabasca Glacier in 2019. Photo by Cheryl Brown-Tate.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Interviewing Experimental Filmmaker Kent Tate - Make it stand out</image:title>
      <image:caption>Film still from Landing Site, courtesy of Kent Tate.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Interviewing Experimental Filmmaker Kent Tate - Make it stand out</image:title>
      <image:caption>Film still from Burning Farm House, courtesy of Kent Tate.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2026-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/c26525f1-627a-479f-8c93-4b867b061274/4.4.Mason+Kubbernus.JPG</image:loc>
      <image:title>Fall 2023 - Youth Filmmakers and the Legacy of Filmmaking: Celebrating Filmpool's 45th Anniversary - Make it stand out</image:title>
      <image:caption>Still from Payphone by Mason Kubbernus at the SIFA 2023 film screening. Kubbernus was the SIFA winner Award for the Best Youth Film, 2023. Photo courtesy of Esperanza Sanchez Espitia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/c12a115a-609a-412c-8314-05b61e99899e/1.Jordan+Bailey+.jpg</image:loc>
      <image:title>Fall 2023 - Youth Filmmakers and the Legacy of Filmmaking: Celebrating Filmpool's 45th Anniversary - Make it stand out</image:title>
      <image:caption>Jordan Bailey during YFAIR programming, 2023. Photo courtesy of Esperanza Sanchez Espitia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/f33a8de2-b7fa-473f-85f4-0f6463bd0251/2.Jodie+Bailey+%281%29.jpg</image:loc>
      <image:title>Fall 2023 - Youth Filmmakers and the Legacy of Filmmaking: Celebrating Filmpool's 45th Anniversary - Make it stand out</image:title>
      <image:caption>Jodie Bailey experiments with a camera during YFAIR programming. Photo courtesy of Esperanza Sanchez Espitia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/cb366166-8fcf-4762-9798-2eee23ed859e/3.Screening_Josh+Bailey+.jpg</image:loc>
      <image:title>Fall 2023 - Youth Filmmakers and the Legacy of Filmmaking: Celebrating Filmpool's 45th Anniversary - Make it stand out</image:title>
      <image:caption>Josh Bailey at a screening at the Saskatchewan Filmpool Cooperative. Photo courtesy of Esperanza Sanchez Espitia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/04357cc9-b36e-4a2c-9ba1-3bae4c325d23/5.Photo+Grupo_shimby_Calic_Linzy_Honne%CC%82te_Aurora_CAndy_Hilarey_Mason_Jodie_Jordan_Josh_+copy.jpg</image:loc>
      <image:title>Fall 2023 - Youth Filmmakers and the Legacy of Filmmaking: Celebrating Filmpool's 45th Anniversary - Make it stand out</image:title>
      <image:caption>Group photo at IMAX during the 2023 YFAIR program. Left to right: Hagere Selam "shimby" Zegeye-Gebrehiwot, Calic Tolentino, Linzy Zheng, Honnête Gauthier, Aurora Mantee, Candy Fox, Hilarey Cowan, Mason Kubbernus, Jodie Bailey, Jordan Bailey, and Josh Bailey Photo courtesy of Esperanza Sanchez Espitia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/fall-2023/a-field-in-saskatchewan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/8385c0a6-3594-4375-98d0-e38d2366af5a/Twilite_Drive_In_Theatre_%282022_Colton_Bates%29.png</image:loc>
      <image:title>Fall 2023 - A Field in Saskatchewan: Four Storeys West of Wolsley - Make it stand out</image:title>
      <image:caption>Drive-in at Twilite (Colton Bates, 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/554a29d6-2a84-464c-94e6-39078708bca9/Hemp_Field_At_Night_%282019_Rex_Leniczek_%26_Colton_Bates%29+%281%29.jpg</image:loc>
      <image:title>Fall 2023 - A Field in Saskatchewan: Four Storeys West of Wolsley - Make it stand out</image:title>
      <image:caption>Hemp Field at Night (Rex Leniczek &amp; Colton Bates, 2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/80602f89-9b38-4a65-bd9e-327fcbd166b3/Southbound_Rider_%282014_Colton_Bates%29.JPG</image:loc>
      <image:title>Fall 2023 - A Field in Saskatchewan: Four Storeys West of Wolsley - Make it stand out</image:title>
      <image:caption>Southbound Rider (Colton Bates, 2014)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/fall-2023/a-short-history-of-the-saskatchewan-filmpool-and-splice-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/f7a1ac17-c041-42ec-8b70-44dd3a1bf8e0/Screen+Shot+2025-02-27+at+00.10.26.png</image:loc>
      <image:title>Fall 2023 - A Short History of the Saskatchewan Filmpool and Splice Magazine - Make it stand out</image:title>
      <image:caption>Don List (centre) on set at Motherwell Homestead National Historic Site, located just south of Abernathy, Saskatchewan. He was there shooting a project in August. 2022. Photo by Calvin Fehr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/0703428f-7989-49e6-8cd4-0ff081b66825/Screen+Shot+2025-02-27+at+00.12.15.png</image:loc>
      <image:title>Fall 2023 - A Short History of the Saskatchewan Filmpool and Splice Magazine - Make it stand out</image:title>
      <image:caption>The poster for the 1977 film Who Has Seen the Wind, based on the book by Canadian writer W.O. MItchell. The production of the film was a catalyst for creating the Saskatchewan Filmpool.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/992016ab-8db2-428d-9873-fd5fdb018485/Screen+Shot+2025-02-27+at+00.12.48.png</image:loc>
      <image:title>Fall 2023 - A Short History of the Saskatchewan Filmpool and Splice Magazine - Make it stand out</image:title>
      <image:caption>A copy of the first issue of the Splice newsletter, which was published in 1979.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/2cc03aac-16af-474e-927a-06e376cc55a1/Screen+Shot+2025-02-27+at+00.13.08.png</image:loc>
      <image:title>Fall 2023 - A Short History of the Saskatchewan Filmpool and Splice Magazine - Make it stand out</image:title>
      <image:caption>Copy of the 20th anniversary issue of Splice.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/fall-2023/fear-amp-trembling-in-moose-jaw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/963a29b4-ba04-49f9-8301-e9c2c2bb7fc6/024A6356.jpg</image:loc>
      <image:title>Fall 2023 - Fear &amp;amp; Trembling In Moose Jaw - Make it stand out</image:title>
      <image:caption>Jeremy Ratzlaff directs the audience. Photo: Jen Froese</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/b64aa7b0-2629-4b31-8582-ca9458c4bbd2/PXL_20220916_000612483.jpg</image:loc>
      <image:title>Fall 2023 - Fear &amp;amp; Trembling In Moose Jaw - Lighting the stage.</image:title>
      <image:caption>Lighting the stage. Source: Jeremy Ratzlaff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/5cf60e8e-515d-4529-82ef-49fbaf13cfc9/PXL_20220919_012454915.MP%7E2.jpg</image:loc>
      <image:title>Fall 2023 - Fear &amp;amp; Trembling In Moose Jaw - Make it stand out</image:title>
      <image:caption>Cast and crew of Fear &amp; Trembling. Source: Jeremy Ratzlaff</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/f7e20503-0898-4d91-880e-f059bd8d4ba7/024A6377.jpg</image:loc>
      <image:title>Fall 2023 - Fear &amp;amp; Trembling In Moose Jaw - Make it stand out</image:title>
      <image:caption>The drama of a dress rehearsal. Photo: Jen Froese</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/f9690df4-e3f9-4200-81b2-250da9c8b248/024A6178.jpg</image:loc>
      <image:title>Fall 2023 - Fear &amp;amp; Trembling In Moose Jaw - Make it stand out</image:title>
      <image:caption>Maggie Robertson, in character. Photo: Jen Froese</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/cb0a1033-de2a-45ca-a5c7-fd64b37313bf/024A5567.jpg</image:loc>
      <image:title>Fall 2023 - Fear &amp;amp; Trembling In Moose Jaw - Make it stand out</image:title>
      <image:caption>Jeremy Ratzlaff (left) and Jason Rister (centre) frame a shot. Photo: Jen Froese</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/801ece37-afe0-4447-ba4f-87da2b6a42f2/024A5586.jpg</image:loc>
      <image:title>Fall 2023 - Fear &amp;amp; Trembling In Moose Jaw - Make it stand out</image:title>
      <image:caption>Jeremy Ratzlaff focused on set. Photo: Jen Froese</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/097e9d0b-28a1-4e59-a541-dd4a75adf946/387473114_1270821743609624_205006011434019352_n.jpg</image:loc>
      <image:title>Fall 2023 - Fear &amp;amp; Trembling In Moose Jaw - Make it stand out</image:title>
      <image:caption>SIFA 2023. L-R: Kyle Parkinson, Jason Rister, Laura Psotka, David Roman, Jeremy Ratzlaff, Curtis McGillvray, Ben Schubert. Source: Jeremy Ratzlaff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/036c7baf-f1f0-4393-92bf-81e7de060b6e/024A6225.jpg</image:loc>
      <image:title>Fall 2023 - Fear &amp;amp; Trembling In Moose Jaw - Make it stand out</image:title>
      <image:caption>Bernadette Mullen &amp; Penny the goat. (Photography: Jen Froese)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/fall-2023/sask-synergy-in-action-the-triangle-of-talents-instructors-and-acting-agencies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/38d74802-7168-4bfa-89af-810645fb7b3b/Screen+Shot+2024-01-16+at+00.10.20.png</image:loc>
      <image:title>Fall 2023 - Sask Synergy in Action: The Triangle of Talents, Instructors, and Acting Agencies - Make it stand out</image:title>
      <image:caption>The views from behind the scenes of the shooting of the music video for Let's Go Outside Remix (2023), with Layla Bautista behind the camera and produced and directed by Marzia Kamyabi-Chambers. Funded by Creative Saskatchewan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/286522d5-4262-4ccd-b980-c381aab53951/Screen+Shot+2024-01-16+at+00.09.30.png</image:loc>
      <image:title>Fall 2023 - Sask Synergy in Action: The Triangle of Talents, Instructors, and Acting Agencies - Make it stand out</image:title>
      <image:caption>Vidya is an experienced performer who knows that, while Saskatchewan’s art scene may not compare on a global scene, it is still a thriving and interesting community if you’re willing to take the time to look. Photo supplied by Marzia Kamyabi-Chambers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/92f810b3-fc3d-4cbb-9df1-f49d31233c84/Screen+Shot+2024-01-16+at+00.09.39.png</image:loc>
      <image:title>Fall 2023 - Sask Synergy in Action: The Triangle of Talents, Instructors, and Acting Agencies - Make it stand out</image:title>
      <image:caption>Jason Yuen has been acting in Saskatchewan since 2022 and would like to see the film industry be supported more seriously to allow it to truly grow. Photo supplied by Marzia Kamyabi-Chambers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/0770f279-d3f6-4834-ab51-4462d120948a/Screen+Shot+2024-01-16+at+00.09.49.png</image:loc>
      <image:title>Fall 2023 - Sask Synergy in Action: The Triangle of Talents, Instructors, and Acting Agencies - Make it stand out</image:title>
      <image:caption>Ammanda Zelinski and Jason Yuen behind the scenes on set. Photo supplied by Marzia Kamyabi-Chambers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/987c4b50-99f9-4eed-a36a-e89266a0aee9/Screen+Shot+2024-01-16+at+00.09.56.png</image:loc>
      <image:title>Fall 2023 - Sask Synergy in Action: The Triangle of Talents, Instructors, and Acting Agencies - Make it stand out</image:title>
      <image:caption>Ammanda Zelinski has been an actor in Saskatchewan since 2017 and has enjoyed the opportunities she’s received from making connections and attending casting calls, but does have an interest in signing on with an acting agency. Photo supplied by Marzia Kamyabi-Chambers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/74a6ff58-5674-43ca-8ca8-3525f74f1f59/Screen+Shot+2024-01-16+at+00.10.12.png</image:loc>
      <image:title>Fall 2023 - Sask Synergy in Action: The Triangle of Talents, Instructors, and Acting Agencies - Make it stand out</image:title>
      <image:caption>Jared Wilson has had an agent since 2019 and has appreciated the extra help they’ve provided with finding auditions and handling details on his behalf. Photo supplied by Marzia Kamyabi-Chambers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/fb3af81e-3aa0-4abc-ace2-9a708712f472/Screen+Shot+2024-01-16+at+00.10.05.png</image:loc>
      <image:title>Fall 2023 - Sask Synergy in Action: The Triangle of Talents, Instructors, and Acting Agencies - Make it stand out</image:title>
      <image:caption>Ammanda Zelinski and Jason Yuen caught on camera during a shoot. Photo supplied by Marzia Kamyabi-Chambers</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/fall-2023/material-reality-the-first-two-years-of-splice-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/115d756a-d022-4dd3-aca3-940ed2818716/01_SPLICE_1978_Vol1_Iss1_Apr_FirstPage.jpg</image:loc>
      <image:title>Fall 2023 - Material Reality: The First Two Years of SPLICE Magazine - SPLICE 1978 - Volume 1 - Issue 1</image:title>
      <image:caption>The first edition of SPLICE, then a newsletter for the one-year old Saskatchewan Filmpool Cooperative.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/48e8f650-beb4-4643-b8e8-eead0c7edc40/02_SPLICE_1979_Vol1_Iss1_PG2_SaskFilmPolicy.jpg</image:loc>
      <image:title>Fall 2023 - Material Reality: The First Two Years of SPLICE Magazine - SPLICE 1978 - Volume 1 - Issue 1</image:title>
      <image:caption>The contemporary membership may not know that the Filmpool, and the Filmpool’s production grants, predate any provincial filmmaking support.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/dc02c230-f994-4bfe-9b3f-af50f260670d/03_SPLICE_1979_Vol1_Iss1_PG4_SPLICENewsletter-OldLocation.jpg</image:loc>
      <image:title>Fall 2023 - Material Reality: The First Two Years of SPLICE Magazine - SPLICE 1978 - Volume 1 - Issue 1</image:title>
      <image:caption>The Filmpool’s home for the past twenty years is right across the Scarth Street mall from the Filmpool’s original location, as seen here. Despite stints on Broad St. and Rae St., I find some comfort in the Filmpool’s continuum focused on the cultural hub of downtown Regina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1b9b8ece-bc6d-4543-a7d3-77323645fefe/04_SPLICE_1979_Vol1_Iss7_Oct_ACFC.jpg</image:loc>
      <image:title>Fall 2023 - Material Reality: The First Two Years of SPLICE Magazine - SPLICE 1979 - Volume 1 - Issue 7</image:title>
      <image:caption>The first organized film union in Canada, the APC (Association professionnelle des cinéastes), was formed at the NFB (Montreal) in 1963. 16-years later, the film labour movement had reached the point of national associations.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/18ee0e63-45ab-49cf-b4bf-e8aee7d72c5b/05_SPLICE_1979_Vol1_Iss7_UnendingGrowth-JerryHorne.jpg</image:loc>
      <image:title>Fall 2023 - Material Reality: The First Two Years of SPLICE Magazine - SPLICE 1979 - Volume 1 - Issue 7</image:title>
      <image:caption>This article from Jerry Horne positions filmmakers as a class needing to advocate for themselves, as if advocacy is the only obstacle standing in the way of prairie cinema. I think this reflects the period of flush cultural funding in Canada at the time. There is no discussion of the material incentives for production, proximity to major production bases, etc . Further down the list, another article will also tackle this question of production funding.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/a8ac04de-0e9d-4a71-88f7-79debc4a3f75/06_SPLICE_1979_Vol1_Undated_SpliceMasthead.jpg</image:loc>
      <image:title>Fall 2023 - Material Reality: The First Two Years of SPLICE Magazine - SPLICE 1979 - Volume 1 - Issue 7</image:title>
      <image:caption>I just love this masthead.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/051a9d8a-48f3-4b84-b7e0-70a45b992104/07_SPLICE_1979_Vol1_Undated_YFFGoldenSheaf.jpg</image:loc>
      <image:title>Fall 2023 - Material Reality: The First Two Years of SPLICE Magazine - SPLICE 1979 - Volume 1 - Issue 7</image:title>
      <image:caption>In the spirit of things that remain the same, the Yorkton Film Festival’s Golden Sheaf Award featured prominently in these early issues when Filmpool-supported film Razor in the Wind (Stephen Surjik, 1979) won for Best Short Drama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/2edf04f4-690c-4f44-9311-3561ea318c95/08_SPLICE_1980_Vol2_Iss6_Jun_FundingPosesProblems.jpg</image:loc>
      <image:title>Fall 2023 - Material Reality: The First Two Years of SPLICE Magazine - SPLICE 1980 - Volume 2 - Issue 6</image:title>
      <image:caption>I must say, as someone who has written extensively about the issues of film financing in this province, this article from four decades ago hits me right in the chest. Later, SK Arts (then Saskatchewan Arts Board) and entities like Sask Film will increase funding for independent productions, but the lack of a SODEC-like model – where the public funder invests as a public “studio” in the development of cultural production, allowing funding from multiple parties – means cultural production is still held back in English Canada.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/483de4ba-7638-4b94-b75a-c3bf9ba6aa96/09_SPLICE_1980_Vol2_Iss6_Jun_SaskatoonExpansion.jpg</image:loc>
      <image:title>Fall 2023 - Material Reality: The First Two Years of SPLICE Magazine - SPLICE 1980 - Volume 2 - Issue 6</image:title>
      <image:caption>Finally, the material condition of Saskatchewan’s two major urban centres being nearly the same size, but 250km apart, was an issue the Filmpool grappled with from the beginning. The issue of satellite locations is still current in our membership. While an equipment rental partnership with other arts orgs is probably a more realistic avenue, I do love the gumption, enthusiasm and sheer confidence around the Filmpool’s “eventual branch office in [Saskatoon.]”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/unmapping</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1594844973387-E76ZG4NWT26AGN8T7HYD/LDOP_FrogLake.jpg</image:loc>
      <image:title>Unmapping the prairies</image:title>
      <image:caption>Tasha Hubbard. Photo by Jon Montes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1598040852547-US8FA05KBEQH73BYFZKM/IMG_2207_WAITBEFOREUSE_CBC.jpg</image:loc>
      <image:title>Unmapping the prairies</image:title>
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    <loc>https://www.splicemag.ca/notes-from-a-programmer-100-years-of-sask-women-filmmakers</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1600982350440-YTRT5G4K67LU0NUQFJXA/Hello+Destroyer+-+Image+2.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1600983403870-KPDUMUQXCX0SB03KEZP8/Hello+Destroyer+-+Image+4%2C+Tyson.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1600983536538-AHN489PEFT6KWDZP8GUG/Hello+Destroyer+-+Image+3.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1600982915485-INOWKRVFCN2Z9PO3OD5T/Hello+Destroyer+Poster.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer</image:title>
      <image:caption>Hello Destroyer promotional poster. Courtesy of Tabula Dada Productions. All stills courtesy of Tabula Dada Productions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1598122733199-7UGYM55LD8TWPG6GJ4L9/UR+Dept+of+Film+fnl+logo.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer</image:title>
      <image:caption>The Oser Essay is published in Splice with the support of the University of Regina’s Department of Film</image:caption>
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  <url>
    <loc>https://www.splicemag.ca/pitch</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-04-24</lastmod>
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    <loc>https://www.splicemag.ca/flat-out-food</loc>
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    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1635601920591-TSXF4JV6WJHFTJY4XXDO/_MG_3027.jpg</image:loc>
      <image:title>Flat out Food</image:title>
      <image:caption>Jenn Sharp and Adrian Halter at Lazy Plum Farm. Photo: Kaitlyn Schropp</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1635299876452-BT7OO59RDQ2GGCTPJQ4N/054A2480.jpg</image:loc>
      <image:title>Flat out Food - Make it stand out</image:title>
      <image:caption>Adam Burwell, Tyler Morin, Jenn Sharp, and Larry Gardiner at Ile-a-la Crosse. Photo: Kaitlyn Schropp</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1635602345781-OY4CA2L8NXR2POOF2UVQ/054A0660.jpg</image:loc>
      <image:title>Flat out Food - Make it stand out</image:title>
      <image:caption>Jenn Sharp and Lorenzo Brazzini at The Cure Artisanal Charcuterie in Saskatoon, SK. Photo: Kaitlyn Schropp</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1635300060184-8GNXHXEKGYT1VNZ2WWNN/_MG_3639-Edit.jpg</image:loc>
      <image:title>Flat out Food - Make it stand out</image:title>
      <image:caption>Kaitlyn Schropp, Preston Kanak, tBone, Jenn Sharp, Adrian Halter, Adam Burwell, Joel Tabak. Photo by Kaitlyn Schropp.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.splicemag.ca/landscape-of-moving-images</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634758783145-6A7G0TKNYSLTQGG45CWY/LoMI_cover_nobellyband.jpg</image:loc>
      <image:title>Landscape of Moving Images - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634757983301-KDG5F915R5KBAPOH92SV/LoMI_spread2.jpg</image:loc>
      <image:title>Landscape of Moving Images - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1635374119998-MEOL4705LCE9RGVIZZ6T/LoMI_intro-full.jpg</image:loc>
      <image:title>Landscape of Moving Images - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/porous-natural-sympathies</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634760569035-22DOQAD83I6IXCIZT1RX/porous_album_cover.jpg</image:loc>
      <image:title>Porous Natural Sympathies - Make it stand out</image:title>
      <image:caption>Porous album cover art by Caitlin Mullan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634761145091-PI055OM1EQZMPRCNI7JF/cropped-0016_21a-copyeditfinal.jpg</image:loc>
      <image:title>Porous Natural Sympathies - Make it stand out</image:title>
      <image:caption>Amber Goodwyn as Natural Sympathies. Photos: Gina Brass</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634761240316-BGGUP1KHSA13EUTTXJLH/porous_movieposter_naturalsympathies.jpg</image:loc>
      <image:title>Porous Natural Sympathies - Make it stand out</image:title>
      <image:caption>Porous poster design by Stephanie Kuse</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/harbour-collective</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634762606169-EUE0E70PWKYTPISOB6LM/Liz_Jason+Baerg_Shimby.jpg</image:loc>
      <image:title>Harbour Collective - Make it stand out</image:title>
      <image:caption>Wascana Lab workshop at the Saskatchewan Filmpool Cooperative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634763050487-VNADGRR0GGK8TFUHXKK1/Wascana+shot.jpg</image:loc>
      <image:title>Harbour Collective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634763048713-Z7VFYC5PMXCR4UTP7LNA/Filmpool+.jpg</image:loc>
      <image:title>Harbour Collective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634763049005-RVRU8798VLJTX6SHSSX6/Tristin+Greyeyes.jpg</image:loc>
      <image:title>Harbour Collective</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/remembering-dave-barber</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634785445773-9R3Q98CUM545E85P7NI0/Dave-Barber-2.jpg</image:loc>
      <image:title>Remembering Dave Barber - Make it stand out</image:title>
      <image:caption>Dave Barber at the Winnipeg Cinematheque</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/queer-city-cinema-2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634869935616-7FFF87ZCBNADGRH608Z9/Screen+Shot+2021-09-15+at+11.15.18+PM.png</image:loc>
      <image:title>Queer City Cinema 2021 - Make it stand out</image:title>
      <image:caption>Queer City Cinema promotional poster</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/mine-to-have</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1635384305303-ZYLI4E8XO2BV27ZAN6NF/Kelsey_Culbert.jpg</image:loc>
      <image:title>Mine to Have - Make it stand out</image:title>
      <image:caption>Performer Kelsey Culbert filmed by Dianne Ouellette. Photo: Dianne Ouellette</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1635612027643-VHLDKGTFVZ9H7GIDWMZG/PSX_20211027_213726.jpg</image:loc>
      <image:title>Mine to Have - Make it stand out</image:title>
      <image:caption>Dianne Ouellette films performers Ammanda Zelinski and Finn Burk. Photo by Traci Foster</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634788145545-3VZ5BP7Z1QXUNU5G9F2L/Traci_TashUrkow_Dicam.jpg</image:loc>
      <image:title>Mine to Have - Make it stand out</image:title>
      <image:caption>Performer Natasha Urkow with Listen to Dis’ artistic director Traci Foster</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/hell-in-a-handbasket</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634870903519-36PNV8F20L80ML6UAKL7/RobertBrynMann_HELL.jpg</image:loc>
      <image:title>Hell in a Handbasket - Make it stand out</image:title>
      <image:caption>Robert Bryn Mann as Dale</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634871193493-SC9VH4M5FDL9W23NL1CX/Hell1.jpg</image:loc>
      <image:title>Hell in a Handbasket - Make it stand out</image:title>
      <image:caption>Inside the lab in Hell in a Handbasket</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634871192427-TWCF7Y3GDMS2OTHKDG6W/hoyt_richards_HELL.png</image:loc>
      <image:title>Hell in a Handbasket - Make it stand out</image:title>
      <image:caption>Hoyt Richards as Dr. Forester</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/oser-essay-2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
  </url>
  <url>
    <loc>https://www.splicemag.ca/letter-from-the-ed-2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1635620144366-X2YGZXTCW7H2BFU6DHIO/shimby+Finalsml.jpg</image:loc>
      <image:title>Letter from the ED 2021 - Make it stand out</image:title>
      <image:caption>Image: Delf Timschal Gravert</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/letter-from-editor-2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1599603529447-G5G01GVVP647NB42L6V4/wanda-pl-1.jpg</image:loc>
      <image:title>Letter from Editor 2021 - Make it stand out</image:title>
      <image:caption>Photo: Aidan Morgan</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.splicemag.ca/oser-essay-hello-destroyer-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1600982044291-6RLR7YVZ2ZDBKT11OYE7/Hello+Destroyer+-+Image+1.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer (Copy)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1600982350440-YTRT5G4K67LU0NUQFJXA/Hello+Destroyer+-+Image+2.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer (Copy)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1600983403870-KPDUMUQXCX0SB03KEZP8/Hello+Destroyer+-+Image+4%2C+Tyson.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer (Copy)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1600983536538-AHN489PEFT6KWDZP8GUG/Hello+Destroyer+-+Image+3.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer (Copy)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1600982915485-INOWKRVFCN2Z9PO3OD5T/Hello+Destroyer+Poster.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer (Copy)</image:title>
      <image:caption>Hello Destroyer promotional poster. Courtesy of Tabula Dada Productions. All stills courtesy of Tabula Dada Productions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1598122733199-7UGYM55LD8TWPG6GJ4L9/UR+Dept+of+Film+fnl+logo.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer (Copy)</image:title>
      <image:caption>The Oser Essay is published in Splice with the support of the University of Regina’s Department of Film</image:caption>
    </image:image>
  </url>
</urlset>

