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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Dianne accepting Daisy’s win for Best of Saskatchewan at the Yorkton Film Festival 2000. | Source: Dianne’s personal archive</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Film industry producers and workers protesting at Saskatchewan legislature. | Source: Dianne Ouellette</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Dianne Ouellette and actor Kim Coates protesting at Saskatchewan legislature. | Source: Dianne Ouellette</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Filmpool production coordinator Ron Jacobs, circa ‘99. Jacobs returned to the Filmpool as production coordinator from 2020-2022. | Source: Dianne Ouellette’s personal archives</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Cast &amp; crew of Daisy (Ouellette). | Photo: Dianne’s personal archive</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>BTS on Srassha; Dianne applies makeup to Danny Scavuzzo. Jason Britski in background. | Photo: Dianne’s personal archive.</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>A “no stars” review of the Filmpool’s program at the Edmonton Fringe Festival. A petty badge of honour. | Source: Dianne Ouelette</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Filmpool 20th anniversary cake, 1997. | Photo: Dianne’s personal archive.</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>L-R: Janine Windolph, Dianne Ouelette, and Trudy Stewart at the Yorkton Film Festival 2016 | Source: Dianne Ouellette</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Filmpool 35th anniversary cake. | Source: Dianne Ouellette’s personal archive.</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Main title from 2004 Splice TV "Super8" episode. | Source: Splice TV</image:title>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Leslea Mair hosting Splice TV from Scarth Street pedway. | Source: Splice TV</image:title>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Filmpool members outside of Broad St. location. | Source: Filmpool archive</image:title>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Members splicing film. | Source: the Filmpool archives</image:title>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Dianne in her coveted 20th Anniversary Filmpool bunny hug. Only two were made. | Photo: Dianne Ouellette</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Make it stand out</image:title>
      <image:caption>Production polaroids from Ouellette’s short film, Daisy | Photo: Dianne Ouellette</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Cutting the Filmpool 20th anniversary cake. (Editor’s note: please write to Splice if you are or know the photographer)</image:title>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - Memories of the Filmpool Dream - Filmpool 20th anniversary party. (Editor’s note: please write to Splice if you are or know the photographer)</image:title>
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    <lastmod>2022-08-01</lastmod>
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      <image:title>Splice Magazine - Spring 2022 Issue - “This is just a step towards getting competitive again” - Make it stand out</image:title>
      <image:caption>The Saskatchewan Production Studios, Spring 2022. Photo: Jeremy Davis</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - “This is just a step towards getting competitive again” - Make it stand out</image:title>
      <image:caption>Filmmaker Layton Burton has cautious optimism about the new investment. Photo Source: Layton Burton</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Spring 2022 Issue - “This is just a step towards getting competitive again” - Make it stand out</image:title>
      <image:caption>Physical infrastructure like the soundstage is just as important as workers and service providers. | Saskatchewan Production Studios, Spring 2022. Photo: Jeremy Davis</image:caption>
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    <lastmod>2022-06-27</lastmod>
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      <image:title>Splice Magazine - Spring 2022 Issue - Zarqa Nawaz: "Just because we’re not Toronto doesn’t mean that we’re not diverse” - Make it stand out</image:title>
      <image:caption>Zarqa (Zarqa Nawaz) at her Imam’s office (Rizwan Manji) for couple’s counselling | Peter Scoular, CBC Gem</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Zarqa Nawaz: "Just because we’re not Toronto doesn’t mean that we’re not diverse” - Make it stand out</image:title>
      <image:caption>Zarqa (Zarqa Nawaz) and Brian (Rob van Meenen) with Zarqa’s parents (Omar Alex Khan and Nimet Kanji) | Photo: Peter Scoular, CBC Gem</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Zarqa Nawaz: "Just because we’re not Toronto doesn’t mean that we’re not diverse” - Make it stand out</image:title>
      <image:caption>Star and showrunner Zarqa Nawaz and director Candy Fox on set. Nawaz was looking for an Indigenous director, and Fox’s name kept coming up. | Photo: Peter Scoular, CBC Gem</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Zarqa Nawaz: "Just because we’re not Toronto doesn’t mean that we’re not diverse” - Make it stand out</image:title>
      <image:caption>Zarqa (played by Zarqa Nawaz) | Photo: Peter Scoular, CBC Gem</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Colour Reversal Lab Retreat: an experience of collective creativity in Treaty 4 - Make it stand out</image:title>
      <image:caption>Splicing tape | Photo: Esperanza Sanchez Espitia</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Colour Reversal Lab Retreat: an experience of collective creativity in Treaty 4 - Make it stand out</image:title>
      <image:caption>Chrystel Oloukoï and Charlene Moore | Photo: Esperanza Sanchez Espitia</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Colour Reversal Lab Retreat: an experience of collective creativity in Treaty 4 - Make it stand out</image:title>
      <image:caption>Lindsay McIntyre | Photo: Esperanza Sanchez Espitia</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Colour Reversal Lab Retreat: an experience of collective creativity in Treaty 4 - Make it stand out</image:title>
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      <image:title>Splice Magazine - Spring 2022 Issue - Colour Reversal Lab Retreat: an experience of collective creativity in Treaty 4 - Make it stand out</image:title>
      <image:caption>Hand developed 35mm film | Photo: Esperanza Sanchez Espitia</image:caption>
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      <image:title>Splice Magazine - Spring 2022 Issue - Colour Reversal Lab Retreat: an experience of collective creativity in Treaty 4 - Make it stand out</image:title>
      <image:caption>Lebret | Photo: Esperanza Sanchez Espitia</image:caption>
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    <image:image>
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      <image:title>Splice Magazine - Winter 2022 Issue - Ninth Annual Saskatchewan Independent Film Awards: A Summary - Make it stand out</image:title>
      <image:caption>A large red bear from Harrison, winner of this year’s Best Music Video with music by Ben Sefton and directed by Aaron Sinclair.</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Ninth Annual Saskatchewan Independent Film Awards: A Summary - Make it stand out</image:title>
      <image:caption>Guests mingle in the lobby before the awards ceremony.</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Ninth Annual Saskatchewan Independent Film Awards: A Summary - Make it stand out</image:title>
      <image:caption>Film still from Intrusion by Graydon Eskowich, which won Best Student Film.</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Ninth Annual Saskatchewan Independent Film Awards: A Summary - Make it stand out</image:title>
      <image:caption>Film still from Dianne Ouellette’s Lil Bufloo Aen Loo Kishkishiw (Buffalo Wolf Memory) which won the award for Best Short Film.</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Ninth Annual Saskatchewan Independent Film Awards: A Summary - Make it stand out</image:title>
      <image:caption>Six winners receive recognition at the 9th Annual Saskatchewan Independent Film Awards on Nov. 26, 2022.   Pictured from left to right: Dianne Ouellette, Mark Wihak, Elaine Striemer, Aaron Sinclair, Curtis MacGillivray and Graydon Eskowich.</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Ninth Annual Saskatchewan Independent Film Awards: A Summary - Make it stand out</image:title>
      <image:caption>Kaitlyn Semple stars as Lucy Oser in Mark Wihak’s series Resting Potential, which won Best Longform Film.</image:caption>
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      <image:caption>Credit: Daniel Paquet</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Carcass: The Posthistoric Queer - Make it stand out</image:title>
      <image:caption>Credit: Daniel Paquet</image:caption>
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      <image:title>Splice Magazine - Winter 2022 Issue - Carcass: The Posthistoric Queer - Make it stand out</image:title>
      <image:caption>Credit: Daniel Paquet</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Fargo Film Festival 2023 - A Filmmaker's Journey, er, Journal - Make it stand out</image:title>
      <image:caption>Image courtesy of Brian Stockton.</image:caption>
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      <image:caption>“Do I look tired?” Dianne Ouellette and Brian Stockton in the vehicle on their way to Fargo, North Dakota.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Fargo Film Festival 2023 - A Filmmaker's Journey, er, Journal - Make it stand out</image:title>
      <image:caption>Image courtesy of Brian Stockton.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Fargo Film Festival 2023 - A Filmmaker's Journey, er, Journal - Make it stand out</image:title>
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      <image:caption>Brian Stockton, James Whittingham, and Tobi Lampard, Fargo 2016</image:caption>
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      <image:caption>Tobi and Brian trying to stay dry and warm under the Fargo Theatre sign.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Fargo Film Festival 2023 - A Filmmaker's Journey, er, Journal - Make it stand out</image:title>
      <image:caption>Writer's panel featuring: Sean Volk, Geoffrey Prather, Christopher Rucinski, Mike Flanagan, and Kate Siegel.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Interviewing Experimental Filmmaker Kent Tate - Make it stand out</image:title>
      <image:caption>Film still from Landing Site, courtesy of Kent Tate.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Interviewing Experimental Filmmaker Kent Tate - Make it stand out</image:title>
      <image:caption>Athabasca Glacier in 2019. Photo by Cheryl Brown-Tate.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - Interviewing Experimental Filmmaker Kent Tate - Make it stand out</image:title>
      <image:caption>Film still from Burning Farm House, courtesy of Kent Tate.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - A Filmmaker's Journey Beyond Rejection - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Splice Magazine - Spring/Summer 2023 Issue - A Filmmaker's Journey Beyond Rejection - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Hubbard and her grandfather during production of We Will Stand Up. Photo by George Hupka. All photos courtesy of the National Film Board of Canada.</image:caption>
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      <image:title>Unmapping the prairies</image:title>
      <image:caption>Tasha Hubbard. Photo by Jon Montes.</image:caption>
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      <image:caption>Still from We Will Stand Up. Photo by George Hupka.</image:caption>
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  <url>
    <loc>https://www.splicemag.ca/new-page-1</loc>
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    <loc>https://www.splicemag.ca/transformative-imaginings</loc>
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    <loc>https://www.splicemag.ca/light-terrors</loc>
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    <loc>https://www.splicemag.ca/viewfinder-toews</loc>
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    <lastmod>2020-08-22</lastmod>
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    <loc>https://www.splicemag.ca/amalie-atkins-at-the-remai</loc>
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    <lastmod>2020-09-27</lastmod>
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      <image:caption>Installation view, The Diamond Eye Assembly, Remai Modern, 2019. Images courtesy Remai Modern.</image:caption>
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    <loc>https://www.splicemag.ca/legacyofconnectionrememberingtrudystewart</loc>
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    <loc>https://www.splicemag.ca/saskfilmmaker-bigleague-humboldt</loc>
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    <loc>https://www.splicemag.ca/viewfinder-candy-fox</loc>
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      <image:caption>Filmmaker Candy Fox and producing partner Chris Tyrone Ross on location</image:caption>
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  <url>
    <loc>https://www.splicemag.ca/notes-from-a-programmer-100-years-of-sask-women-filmmakers</loc>
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      <image:caption>Images (l-r): Thinking of you, Elaine Pain; Listening to the Past/Listening to the Future, Amalie Atkins; From Up North, Trudy Stewart; Buffalo Calling, Tasha Hubbard, Land of the Free, Dianne Ouellette with Margaret Orr; ahkameyimo nitanis - Keep Going my Daughter, Candy Fox; First Stories: ati-wîcahsin (It’s Getting Easier), Tessa Cook; Stories Are in Our Bones, Janine Windolph</image:caption>
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      <image:caption>Remembering the Past, Looking to the Future panelists (left to right): Dianne Ouellette, Tessa Cook, Candy Fox, Janine Windolph, Elaine Pain, and Sandra Staples-Jetko. MacKenzie Art Gallery, Shumiatcher Theatre. March, 2020.</image:caption>
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      <image:title>No one wants to live in dank: A decade after I Heart Regina</image:title>
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      <image:title>No one wants to live in dank: A decade after I Heart Regina</image:title>
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    <loc>https://www.splicemag.ca/interview-with-a-curator-tomas-jonsson-by-amber-christensen</loc>
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    <lastmod>2020-09-27</lastmod>
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    <loc>https://www.splicemag.ca/oser-essay-hello-destroyer</loc>
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      <image:title>Oser Essay: Hello Destroyer</image:title>
      <image:caption>Hello Destroyer promotional poster. Courtesy of Tabula Dada Productions. All stills courtesy of Tabula Dada Productions.</image:caption>
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    <image:image>
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      <image:title>Oser Essay: Hello Destroyer</image:title>
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    <image:image>
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      <image:title>Oser Essay: Hello Destroyer</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1600982044291-6RLR7YVZ2ZDBKT11OYE7/Hello+Destroyer+-+Image+1.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer</image:title>
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      <image:title>Oser Essay: Hello Destroyer</image:title>
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      <image:title>Flat out Food</image:title>
      <image:caption>Jenn Sharp and Adrian Halter at Lazy Plum Farm. Photo: Kaitlyn Schropp</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1635299876452-BT7OO59RDQ2GGCTPJQ4N/054A2480.jpg</image:loc>
      <image:title>Flat out Food - Make it stand out</image:title>
      <image:caption>Adam Burwell, Tyler Morin, Jenn Sharp, and Larry Gardiner at Ile-a-la Crosse. Photo: Kaitlyn Schropp</image:caption>
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      <image:title>Flat out Food - Make it stand out</image:title>
      <image:caption>Kaitlyn Schropp, Preston Kanak, tBone, Jenn Sharp, Adrian Halter, Adam Burwell, Joel Tabak. Photo by Kaitlyn Schropp.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1635602345781-OY4CA2L8NXR2POOF2UVQ/054A0660.jpg</image:loc>
      <image:title>Flat out Food - Make it stand out</image:title>
      <image:caption>Jenn Sharp and Lorenzo Brazzini at The Cure Artisanal Charcuterie in Saskatoon, SK. Photo: Kaitlyn Schropp</image:caption>
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      <image:title>Landscape of Moving Images - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1635374119998-MEOL4705LCE9RGVIZZ6T/LoMI_intro-full.jpg</image:loc>
      <image:title>Landscape of Moving Images - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1634757983301-KDG5F915R5KBAPOH92SV/LoMI_spread2.jpg</image:loc>
      <image:title>Landscape of Moving Images - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.splicemag.ca/porous-natural-sympathies</loc>
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    <lastmod>2021-10-30</lastmod>
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      <image:title>Porous Natural Sympathies - Make it stand out</image:title>
      <image:caption>Amber Goodwyn as Natural Sympathies. Photos: Gina Brass</image:caption>
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      <image:title>Porous Natural Sympathies - Make it stand out</image:title>
      <image:caption>Porous poster design by Stephanie Kuse</image:caption>
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    <image:image>
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      <image:title>Porous Natural Sympathies - Make it stand out</image:title>
      <image:caption>Porous album cover art by Caitlin Mullan</image:caption>
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    <loc>https://www.splicemag.ca/harbour-collective</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
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      <image:title>Harbour Collective - Make it stand out</image:title>
      <image:caption>Wascana Lab workshop at the Saskatchewan Filmpool Cooperative</image:caption>
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    <image:image>
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      <image:title>Harbour Collective</image:title>
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    <image:image>
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      <image:title>Harbour Collective</image:title>
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      <image:title>Harbour Collective</image:title>
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    <loc>https://www.splicemag.ca/remembering-dave-barber</loc>
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    <priority>0.75</priority>
    <lastmod>2021-11-02</lastmod>
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      <image:title>Remembering Dave Barber - Make it stand out</image:title>
      <image:caption>Dave Barber at the Winnipeg Cinematheque</image:caption>
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    <loc>https://www.splicemag.ca/queer-city-cinema-2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
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      <image:title>Queer City Cinema 2021 - Make it stand out</image:title>
      <image:caption>Queer City Cinema promotional poster</image:caption>
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    <lastmod>2021-10-30</lastmod>
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      <image:title>Mine to Have - Make it stand out</image:title>
      <image:caption>Performer Natasha Urkow with Listen to Dis’ artistic director Traci Foster</image:caption>
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    <image:image>
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      <image:title>Mine to Have - Make it stand out</image:title>
      <image:caption>Dianne Ouellette films performers Ammanda Zelinski and Finn Burk. Photo by Traci Foster</image:caption>
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      <image:title>Mine to Have - Make it stand out</image:title>
      <image:caption>Performer Kelsey Culbert filmed by Dianne Ouellette. Photo: Dianne Ouellette</image:caption>
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    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
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      <image:title>Hell in a Handbasket - Make it stand out</image:title>
      <image:caption>Robert Bryn Mann as Dale</image:caption>
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    <image:image>
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      <image:title>Hell in a Handbasket - Make it stand out</image:title>
      <image:caption>Inside the lab in Hell in a Handbasket</image:caption>
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    <image:image>
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      <image:title>Hell in a Handbasket - Make it stand out</image:title>
      <image:caption>Hoyt Richards as Dr. Forester</image:caption>
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  <url>
    <loc>https://www.splicemag.ca/oser-essay-2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
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  <url>
    <loc>https://www.splicemag.ca/letter-from-the-ed-2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-30</lastmod>
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      <image:title>Letter from the ED 2021 - Make it stand out</image:title>
      <image:caption>Image: Delf Timschal Gravert</image:caption>
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  <url>
    <loc>https://www.splicemag.ca/letter-from-editor-2021</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2021-10-30</lastmod>
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      <image:title>Letter from Editor 2021 - Make it stand out</image:title>
      <image:caption>Photo: Aidan Morgan</image:caption>
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  <url>
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    <priority>0.75</priority>
    <lastmod>2022-05-14</lastmod>
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      <image:title>Oser Essay: Hello Destroyer (Copy)</image:title>
      <image:caption>The Oser Essay is published in Splice with the support of the University of Regina’s Department of Film</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1600982915485-INOWKRVFCN2Z9PO3OD5T/Hello+Destroyer+Poster.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer (Copy)</image:title>
      <image:caption>Hello Destroyer promotional poster. Courtesy of Tabula Dada Productions. All stills courtesy of Tabula Dada Productions.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f07605bb4e35a5a2c58e56b/1600983536538-AHN489PEFT6KWDZP8GUG/Hello+Destroyer+-+Image+3.jpg</image:loc>
      <image:title>Oser Essay: Hello Destroyer (Copy)</image:title>
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    <image:image>
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      <image:title>Oser Essay: Hello Destroyer (Copy)</image:title>
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    <image:image>
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      <image:title>Oser Essay: Hello Destroyer (Copy)</image:title>
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    <image:image>
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      <image:title>Oser Essay: Hello Destroyer (Copy)</image:title>
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