Spring 2023
back issues
archive
supporters
Pitch
about
Spring 2022
Winter 2022
Letter from Editor 2021
Letter from the ED 2021
Flat out Food
Landscape of Moving Images
Natural Sympathies
Harbour Collective
Remembering Dave Barber
Queer City Cinema
Mine to Have
Hell in a Handbasket
Oser Essay: Two Worlds Two Voices
A Legacy of Connection
Viewfinder: Candy Fox
Sask Filmmaker in the Big League
Notes from a Programmer: 100 Years of Sask Women Filmmakers
No one wants to live in dank: A decade after I Heart Regina
Interview with a Curator: Tomas Jonsson | by Amber Christensen
Oser Essay: Hello Destroyer
Spring 2023
back issues
archive
supporters
Pitch
about
a journal dedicated to filmmaking and film culture in Saskatchewan
Spring 2022
Winter 2022
Letter from Editor 2021
Letter from the ED 2021
Flat out Food
Landscape of Moving Images
Natural Sympathies
Harbour Collective
Remembering Dave Barber
Queer City Cinema
Mine to Have
Hell in a Handbasket
Oser Essay: Two Worlds Two Voices
A Legacy of Connection
Viewfinder: Candy Fox
Sask Filmmaker in the Big League
Notes from a Programmer: 100 Years of Sask Women Filmmakers
No one wants to live in dank: A decade after I Heart Regina
Interview with a Curator: Tomas Jonsson | by Amber Christensen
Oser Essay: Hello Destroyer
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Spring | 2022
Featured
Aug 19, 2022
Letter from the Editor (Spring 2022)
Aug 19, 2022
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Aug 19, 2022
Aug 17, 2022
Memories of the Filmpool Dream
Aug 17, 2022
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Aug 17, 2022
Aug 1, 2022
“This is just a step towards getting competitive again”
Aug 1, 2022
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Aug 1, 2022
Jun 24, 2022
Zarqa Nawaz: "Just because we’re not Toronto doesn’t mean that we’re not diverse”
Jun 24, 2022
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Jun 24, 2022
Fall | Winter 2021
Landscape of Moving Images: A Compendium of Prairie Cinema | by Amber Christensen
Flat Out Food: The Passion of Jenn Sharp | by Aidan Morgan
Porous: Amber Goodwyn’s (aka Natural Sympathies) marriage of music and film | by Charity Marsh
Interpreting theatre group Listen to Dis' 'Mine to Have' for the screen | by Dianne Ouellette
Harbour Collective: Wascana Lab | by Esperanza Sanchez Espitia
'Hell in a Handbasket': a winter of pandemic filmmaking | by Lee Chambers
Remembering Dave Barber | by Alex Rogalski
Queer City Cinema: Sensing Pleasure in Regina and beyond | by Elian Mikkola
Two Worlds, Two Voices: Indigenous Double Consciousness and Linguistic Sovereignty in Richardson Morse’s 'House Made of Dawn' | by Jesse Desjarlais
Letter from the Executive Director
Letter from the Editor
Fall | Winter • 2020
A Legacy of Connection: Remembering Trudy Stewart | by Evie Ruddy
Viewfinder: Candy Fox | by Elian Mikkola
Saskatchewan Filmmaker in the Big League: 'Humboldt — A New Season' | by Lynette Piper
Notes from a Programmer: 100 years of Saskatchewan Women Filmmakers | by Sandra Staples-Jetko
A Decade After 'I Heart Regina' | by Mark Wihak
Interview with a Curator: Tomas Jonsson | by Amber Christensen
The Oser Essay: Hello Destroyer | by Jesse Desjarlais
Fall | Winter•2019
Tasha Hubbard: Unmapping the Prairies | by Carle Steel
Amalie Atkins at the Remai | by Jennifer Sparrowhawk
Light Terrors | by Matthew Ripplinger
Manipulating Celluloid | by Jason Britski
Transformative Imaginings | by Dianne Ouelette
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Spring 2022
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