SPLICE
Spring 2023 back issues archive supporters Pitch about
Spring 2022 Winter 2022 Letter from Editor 2021 Letter from the ED 2021 Flat out Food Landscape of Moving Images Natural Sympathies Harbour Collective Remembering Dave Barber Queer City Cinema Mine to Have Hell in a Handbasket Oser Essay: Two Worlds Two Voices A Legacy of Connection Viewfinder: Candy Fox Sask Filmmaker in the Big League Notes from a Programmer: 100 Years of Sask Women Filmmakers No one wants to live in dank: A decade after I Heart Regina Interview with a Curator: Tomas Jonsson | by Amber Christensen Oser Essay: Hello Destroyer
Spring 2023back issuesarchivesupportersPitchabout
SPLICE
a journal dedicated to filmmaking and film culture in Saskatchewan
Spring 2022Winter 2022Letter from Editor 2021Letter from the ED 2021Flat out FoodLandscape of Moving ImagesNatural SympathiesHarbour CollectiveRemembering Dave BarberQueer City CinemaMine to HaveHell in a HandbasketOser Essay: Two Worlds Two VoicesA Legacy of ConnectionViewfinder: Candy FoxSask Filmmaker in the Big LeagueNotes from a Programmer: 100 Years of Sask Women FilmmakersNo one wants to live in dank: A decade after I Heart ReginaInterview with a Curator: Tomas Jonsson | by Amber ChristensenOser Essay: Hello Destroyer
Letter from the Editor (Winter 2022)
Letter from the Editor (Winter 2022)

An long overdue introduction and a peek into what Splice is planning for the rest of 2023!

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Splice EditorMarch 29, 2023
Ninth Annual Saskatchewan Independent Film Awards: A Summary
Ninth Annual Saskatchewan Independent Film Awards: A Summary

Film student Rebekah Illingworth attended the Ninth Annual Saskatchewan Independent Film Awards and writes about what she found and loved about the experience.

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Rebekah IllingworthFebruary 13, 2023
Carcass: The Posthistoric Queer
Carcass: The Posthistoric Queer

Splice sits down with Filmpool member Elian Mikkola to reflect on their latest film installation.

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Mattias GrahamFebruary 5, 2023
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